use any experience
— feeling of applying paint to surface, of refining application, of experimenting with line shape form
to create a completely different experience
— the quiet of a babbling brook far from people, the enchantment of a moonlit night, the ominousness of a dark abandoned house
or a similar, perhaps adjacent experience
— the staccato of slashing marks, the frisson of scumbled remains of a dried orange foam, the vinegar tang of apple green
